Summer is usually a slow time for new releases, but the first week of August has turned out to be full of great ones. Blues Pills’ debut of course is already strong contender for my year-end top 13. Read full review here. There’s more than a half dozen other new albums totally deserving of attention too.
Brimstone Coven – Brimstone Coven (Metal Blade)
This is actually a reissue of last year’s self-released II, with their 2012 debut as bonus tracks, remastered. Formed in Wheeling, WV in 2011, Brimstone Coven specialize in heavy psych, doom and proto-metal with occult themes. With high profile releases in recent years by The Devil’s Blood, Ghost and Uncle Acid & The Deadbeats, some might question what this band has to offer that’s special. The answer is some freaking brilliant songwriting and harmonies. Metal Blade certainly recognized this and signed the band. I don’t normally focus on reissues, but clearly not enough people heard this band previously, and they need to. It can be fun to dig in and identify possible influences, such as perhaps Jack Bruce in the Big John Williams’ vocals, and plenty of obscure proto-metal influences. But it all comes down to their craft, mastery, musicianship and range. Think in terms of the level of Witchcraft (either the band or the magic, you pick). The arrangements, flow and mood of this album perfectly match the songwriting. Fans of the aforementioned bands and Purson and Blood Ceremony won’t be disappointed.
Posted in Bandcamp, New Album(s) of the Week, Reviews, Videos/Singles
Tagged Brimstone Coven, John Gallow, John Garcia, Pale Horseman, Saturn, Space Witch, Spiral Shades, Spoon, The Sea Kings
While Blues Pills is a brand new name for many, their debut full-length has felt like a long time coming, given that they turned some heads just six months after forming by releasing the Bliss EP (2012). They sounded fully formed and experienced despite the fact that their guitarist was just 16 years old. Rhythm section Cory Berry (drums) and Zach Anderson (bass) were playing a 2011 gig in France with their previous band Radio Moscow, and they were hugely impressed by the opening band, featuring guitar prodigy Dorian Sorriaux. Sorriaux lived and breathed music at an early age, with ZZ Top being his first favorite band at the age of 4. He began playing guitar at 9, with Rory Gallagher, Peter Green (Fleetwood Mac) and Paul Kossof (Free) as additional influences. Later that year Cory and Zach met Swedish singer Elin Larsson in California. They started writing music together and sent Dorian demos. By December, they became the Blues Pills, with the two Americans, who were originally from Iowa, moving to Sweden to establish a home base in Örebro. Let’s hope their experience assimilating into a new culture is going more smoothly than Greg Poehler is portraying in his comedy Welcome To Sweden! Continue reading
Wo Fat – The Conjuring (Small Stone)
Since the enthusiastic reception at last year’s Roadburn festival in Tilburg, Netherlands and Desertfest, London, and their recent high profile slot at the Freak Valley festival in Netphen, Germany, one might assume Wo Fat is a European band. It’s understandable, as to my knowledge they have never extensively toured the United States much beyond their home base in Dallas, Texas. To be fair, their brand of heavy psychedelic stoner rock is most appreciated in Europe, where there is a series of a dozen festivals that specialize in their genres. Continue reading
When I started buying CDs in the summer of ’88, it brought a new consideration to my music buying decisions. At $10 to $16 a pop new, it was not a small investment, especially when I was making only $5 an hour at my two summer jobs. My plan was to continue buying used tapes and checking out stuff via my college radio station library, and only buy CDs of albums I’d want to keep for life. My first purchases of Joy Division’s Substance, the Dukes of Stratosphear Chips of the Chocolate Fireball collection (XTC’s psychedelic alter-ego) the 80+ minute Mission of Burma collection and Pixies‘ Come On Pilgrim/Surfer Rosa combo set a high standard. The new releases that fall by Dinosaur Jr., Sonic Youth, Naked Raygun, Eleventh Dream Day and The Feelies seemed sufficiently epic to justify the cost too.
I got a little excited and optimistic based on those albums, and thought there was even more instant classics around the corner. I ended up with a small pile of slow growers that disappointed me so much at the time that I sold them within a couple months. I taped them before I did so, and over the years ended up wearing out or losing the tapes, and spent the following decades hunting down the same albums all over again. Looking back they are all pretty much underrated now, and overdue for critical reassessment and in most cases, reissues.
Game Theory – Two Steps From The Middle Ages (Enigma)
I’d heard cuts from early stuff like Blaze Of Glory (1981), Pointed Accounts of People You Know EP (1983), Distortion EP (1984) and Real Nighttime (1985) while listening to KUNI in high school. Their lightly psychedelic jangle pop was distinguished from others like Let’s Active and R.E.M. with Scott Miller’s unique vocal melodies and bookish lyrics that gave them a distinct sound, despite sharing producer Mitch Easter. Big Shot Chronicles (1986) remains my favorite, but Lolita Nation (1987) got a lot of attention for being an ambitious double album that measured up well against the ones that year from The Cure and Hüsker Dü. Their final album, Two Steps From the Middle Ages, disappointed some because it didn’t quite reach the heights of the double, or the consistency of Big Shot. But in retrospect, it was a great album that rewards deep listening. Miller went on to make several albums the following decades with Loud Family, and I’m guilty of neglecting those too. Sadly, he died last year, and never got to enjoy the fruits of a nicely curated reissue program. A label like Secretly Canadian, who reissued the full double album version of the Jacobites‘ Robespierre’s Velvet Basement (1985) or Captured Tracks (box sets of Cleaners From Venus and The Bats) would do the music world a great service in reissuing the long out of print Game Theory albums. YouTube sometimes has full versions of out of print albums. I can’t find Two Steps but here’s Lolita Nation.
Posted in Features, Rants
Tagged 1988, Band Of Susans, Game Theory, Hunters & Collectors, That Petrol Emotion, The Godfathers, The Jazz Butcher, The Lime Spiders, The MIghty Lemon Drops, The Woodentops
Man, talk about famine to feast. The magnificent Truckfighters just capped off a string of five shows in five nights, leaving me spent but aglow. After a long harsh winter where I hardly made it to any live shows at all from December through March, I started the spring starving for good rock shows. Despite continued frigid temps outside, things heated up quickly with Spirit Caravan at Reggie’s Rock Club on March 29. While Jug Fulla Sun (1999) is now an undisputed stoner doom classic, Wino’s first band since the breakup of The Obsessed was kind of under the radar at the time, and I’d never seen them live before. They didn’t disappoint, plowing through pretty much all their best songs, playing loose but loud. Let’s hope they decide to record together again, like Saint Vitus has done so successfully. On April 15 at Metro was another reunited favorite, Godflesh, who I had seen about 24 years ago. While I can tell when they play cuts from their classic Streetcleaner (1988), it had been a while since I listened to the rest of their catalog, and everything kind of blended together in a monolithic, monochromatic wash, like showering in a sandblaster. A few days later was costumed Swedish occult rockers Ghost (The Vic, April 19). I saw them a couple years before at a smaller venue, The Bottom Lounge, and their stage show has grown right along with their popularity. Papa Emeritus and his Nameless Ghouls put on a slick but thoroughly entertaining show with nods towards Blue Oyster Cult and KISS. Continue reading
Posted in Rants, Reviews, Videos/Singles
Tagged Bluster, Floor, Ghost, Godflesh, Graveyard, Live shows, Queens Of The Stone Age, Spirit Caravan, Television, Truckfighters
Today is the release day of the debut by Brooklyn psych prog rockers The Golden Grass. Tuesday is normally new release day, but European releases sometimes like to shoot their loads before the weekend. While digital distribution has not made it to iTunes, Spotify or Amazon yet, you can order the CD domestically or buy a download at Bandcamp. I had to harrass Finnish label Svart Records on their FB page to find out that the U.S. distributor is The End Records, and you can buy the album for a much more reasonable $11.99 at related webstore The Omega Order. Continue reading