Double Dose of Doom: Pallbearer & Cardinals Folly

Pallbearer - Foundations of Burden (Profound Lore, 2014)Pallbearer – Foundations of Burden (Profound Lore, 2014)
When I saw Pallbearer live after releasing their debut album Sorrow and Extinction (2012), it was clear that they take their doom seriously. With such somber subject matter, some might wonder how else one would expect them to be. But there are plenty of doom bands that emphasize other aspects, such as campy love of horror kitsch loaded with obscure, nerdy humor. Doom might not be the first metal genre to bring to mind “party music,” but it exists! Pallbearer aren’t out to ruin your party, but they’ll be there for you after, at 3 a.m. when your girlfriend has dumped you. Not that they’re exactly about romantic breakups, but rather more colossal calamities like bloodlust, crippling regret and the end of time. They’ll make your problems seem not so big a deal. Continue reading

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The New Christs – Incantations (Impedance) & Hits – Hikikomori (Conquest Of Noise)

New Christs - Incantations (Impedance, 2014)The New Christs – Incantations (Impedance) 
Someone coming across The New Christs’ latest album Incantations in the top ten for the year in the post-punk and garage rock charts at Rate Your Music could easily believe they’re a relatively new band. The sound isn’t exactly brand new, but the menacing edge and vital songwriting suggests an energy not normally associated with ones pushing 60. But they’re not so new, having been a band in varying forms since 1981, lead by the not so young Rob Younger, best known as the lead singer for the legendary Aussie sons-of-the Stooges Radio Birdman from 1974-78. Along with The Saints and The Birthday Party, they established templates in punk and post-punk that would be followed by bands in Australia and throughout the world. Continue reading

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New Albums of the Week

Summer is usually a slow time for new releases, but the first week of August has turned out to be full of great ones. Blues Pills’ debut of course is already strong contender for my year-end top 13.  Read full review here. There’s more than a half dozen other new albums totally deserving of attention too.

Brimstone Coven (Metal Blade, 2013)Brimstone Coven – Brimstone Coven (Metal Blade)
This is actually a reissue of last year’s self-released II, with their 2012 debut as bonus tracks, remastered.  Formed in Wheeling, WV in 2011, Brimstone Coven specialize in heavy psych, doom and proto-metal with occult themes. With high profile releases in recent years by The Devil’s Blood, Ghost and Uncle Acid & The Deadbeats, some might question what this band has to offer that’s special. The answer is some freaking brilliant songwriting and harmonies.  Metal Blade certainly recognized this and signed the band. I don’t normally focus on reissues, but clearly not enough people heard this band previously, and they need to.  It can be fun to dig in and identify possible influences, such as perhaps Jack Bruce in the Big John Williams’ vocals, and plenty of obscure proto-metal influences. But it all comes down to their craft, mastery, musicianship and range. Think in terms of the level of Witchcraft (either the band or the magic, you pick). The arrangements, flow and mood of this album perfectly match the songwriting. Fans of the aforementioned bands and Purson and Blood Ceremony won’t be disappointed.

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Blues Pills – Blues Pills (Nuclear Blast)

Blues Pills - Blues Pills (Nuclear Blast, 2014)While Blues Pills is a brand new name for many, their debut full-length has felt like a long time coming, given that they turned some heads just six months after forming by releasing the Bliss EP (2012). They sounded fully formed and experienced despite the fact that their guitarist was just 16 years old. Rhythm section Cory Berry (drums) and Zach Anderson (bass) were playing a 2011 gig in France with their previous band Radio Moscow, and they were hugely impressed by the opening band, featuring guitar prodigy Dorian Sorriaux. Sorriaux lived and breathed music at an early age, with ZZ Top being his first favorite band at the age of 4. He began playing guitar at 9, with Rory Gallagher, Peter Green (Fleetwood Mac) and Paul Kossof (Free) as additional influences. Later that year Cory and Zach met Swedish singer Elin Larsson in California. They started writing music together and sent Dorian demos. By December, they became the Blues Pills, with the two Americans, who were originally from Iowa, moving to Sweden to establish a home base in Örebro. Let’s hope their experience assimilating into a new culture is going more smoothly than Greg Poehler is portraying in his comedy Welcome To Sweden! Continue reading

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Psychedelic Psummer Rundown + Extra Blues, Prog & Metal

Mastodon - Once More 'Round The Sun (Relapse, 2014)Mastodon – Once More ‘Round The Sun (Reprise)
After the first week, Mastodon entered the Billboard Album Chart at #6. That’s a pretty great placing for a metal album, even though some think it somehow means metal is in decline since one of its best bands can’t sell as much as Metallica. Durrr, no. That makes no sense. With metal fests flourishing around the world and tons of sold out tours, metal is doing just fine. But there are so many genres now, no one is going to agree on one singular band to represent metal. Though if you go strictly by sales the past few years, then I guess it’s a close race between Avenged Sevenfold, Linkin Park and Five Finger Death Punch. While it is true that fewer metal albums take the top positions in the charts, look at who we had in the top 100 in 2002 — Creed, Linkin Park, Nickelback, Puddle Of Mudd, P.O.D., Kid Rock, System Of A Down, Incubus, Korn and Staind. So yeah, who gives a flying rat’s ass? Continue reading

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Doom Goes Boom in June

I would normally associate doom metal with later in the year, like November, when everything is dying. But with summer festivals and early summer release schedules, the time to doom out really gets going in June. Last year, of course, Black Sabbath made history when their Rick Rubin-produced reunion album 13 made history by souring to #1 on both the British and U.S. Billboard album charts, a first for doom. This got me cautiously excited about the prospect that mainstream would go crazy for doom (see Doom Goes Pop), or at least recognize it as a thing. You know, a genre of music worth noting and seeking out as the logical conclusion of the blues. But no. Most see Black Sabbath as just plain metal, or worse, Ozzy’s backing band. Saint Vitus or Trouble won’t be haunting the Billboard charts anytime soon.

But on a smaller scale, doom does seem healthier than ever. Doom bands are getting top billing in at least a dozen festivals in Europe between April and October. Tours in the U.S. are still sporadic, and sadly the great Days Of The Doomed IV was the last one, but the Scion Fest in Pomona, CA shows there’s still a growing audience. Bands like 40 Watt Sun and Pallbearer have gotten a good amount of attention in the music press beyond the usual doom and metal blogs. Wo Fat - The Conjuring (Small Stone, 2014)And bigger names like Down and Corrosion Of Conformity continue to pay homage to doom. And there’s a killer batch of doom albums that were released in June. Probably the most impressive release of the month was Wo Fat, The Conjuring (Small Stone) on June 17. The Dallas, TX band’s fifth album is the best example of their unique voodoo blues-doom-boogie fusion. Read the full review here.

Serpent Venom - Of Things Seen & Unseen (The Church Within, 2014)Serpent Venom – Of Things Seen & Unseen (The Church Within)
This band has been steadily growing on me since they released their debut Carnal Altar on the German label The Church Within in 2011. It’s an addictive mix of traditional Sabbath worship, blown-out Electric Wizard distortion, and lyrics that delve into occult pop culture and horror. The second album, produced by Chris Fielding, who produced fellow Brits Electric Wizard and Conan, refines the formula only slightly, holding on to that gloriously heavy, fuzzed out sound. While five of the seven songs on the debut stretch beyond 8 minutes, the new one is more concise with just two of eight going to epic length. The playing seems both looser and more fluid, reflecting the years spent gigging and rehearsing. Gary “Gaz” Ricketts’ vocals have become stronger and unique too. Continue reading

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Days of the Doomed Fest IV

Days Of The Doomed IV (2014)What better way to celebrate the summer solstice by ducking in from the 15.25 hours of daylight in a Wisconsin metal bar and doom out to up to a dozen bands (22 if you also went Friday).  I was unable to make it the first day, missing out on what were reportedly great sets from Bible Of The Devil (who I get to see every year at the Alehorn Of Power festivals), Apostle Of Solitude, Orodruin, Blackfinger (former Trouble singer Eric Wagner’s band) and Las Cruces.  I was most excited to see Brimstone Coven, who’s second album II (2013) made my year-end top Lucky 13 last year, and the mighty and mysterious Jex Thoth, who despite being from Madison, WI, rarely performs in the U.S. Continue reading

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Wo Fat – The Conjuring (Small Stone)

Wo Fat - The Conjuring (Small Stone, 2014)Wo Fat – The Conjuring (Small Stone)
Since the enthusiastic reception at last year’s Roadburn festival in Tilburg, Netherlands and Desertfest, London, and their recent high profile slot at the Freak Valley festival in Netphen, Germany, one might assume Wo Fat is a European band. It’s understandable, as to my knowledge they have never extensively toured the United States much beyond their home base in Dallas, Texas. To be fair, their brand of heavy psychedelic stoner rock is most appreciated in Europe, where there is a series of a dozen festivals that specialize in their genres. Continue reading

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1988 – Buyer’s & Seller’s Remorse

When I started buying CDs in the summer of ’88, it brought a new consideration to my music buying decisions. At $10 to $16 a pop new, it was not a small investment, especially when I was making only $5 an hour at my two summer jobs. My plan was to continue buying used tapes and checking out stuff via my college radio station library, and only buy CDs of albums I’d want to keep for life. My first purchases of Joy Division’s Substance, the Dukes of Stratosphear Chips of the Chocolate Fireball collection (XTC’s psychedelic alter-ego) the 80+ minute Mission of Burma collection and PixiesCome On Pilgrim/Surfer Rosa combo set a high standard. The new releases that fall by Dinosaur Jr., Sonic Youth, Naked Raygun, Eleventh Dream Day and The Feelies seemed sufficiently epic to justify the cost too.

I got a little excited and optimistic based on those albums, and thought there was even more instant classics around the corner. I ended up with a small pile of slow growers that disappointed me so much at the time that I sold them within a couple months. I taped them before I did so, and  over the years ended up wearing out or losing the tapes, and spent the following decades hunting down the same albums all over again. Looking back they are all pretty much underrated now, and overdue for critical reassessment and in most cases, reissues.

Game Theory - Two Steps From The Middle Ages (Enigma, 1988)Game Theory – Two Steps From The Middle Ages (Enigma)
I’d heard cuts from early stuff like Blaze Of Glory (1981), Pointed Accounts of People You Know EP (1983), Distortion EP (1984) and Real Nighttime (1985) while listening to KUNI in high school. Their lightly psychedelic jangle pop was distinguished from others like Let’s Active and R.E.M. with Scott Miller’s unique vocal melodies and bookish lyrics that gave them a distinct sound, despite sharing producer Mitch Easter. Big Shot Chronicles (1986) remains my favorite, but Lolita Nation (1987) got a lot of attention for being an ambitious double album that measured up well against the ones that year from The Cure and Hüsker Dü. Their final album, Two Steps From the Middle Ages, disappointed some because it didn’t quite reach the heights of the double, or the consistency of Big Shot. But in retrospect, it was a great album that rewards deep listening. Miller went on to make several albums the following decades with Loud Family, and I’m guilty of neglecting those too. Sadly, he died last year, and never got to enjoy the fruits of a nicely curated reissue program. A label like Secretly Canadian, who reissued the full double album version of the Jacobites‘ Robespierre’s Velvet Basement (1985) or Captured Tracks (box sets of Cleaners From Venus and The Bats) would do the music world a great service in reissuing the long out of print Game Theory albums. YouTube sometimes has full versions of out of print albums. I can’t find Two Steps but here’s Lolita Nation.

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Castle – Under Siege (Prosthetic Records)

Castle - Under Siege (Prosthetic Records, 2014)Castle – Under Siege (Prosthetic Records)
Castle’s anticipated third album sounds deceptively simple at first listen. Some might embrace or dismiss it as old school/retro “vest metal,” but once you’re sucked in (and you will be if you have any taste in decent metal), you’ll hear plenty of complexity and evolution. The San Francisco based trio featuring married couple Mat Davis (guitar) and Elizabeth Blackwell (vocals) were identified primarily as doom metal, though they always incorporated more than that, giving themselves a somewhat tongue-in-cheek label, “witch thrash.”  Sabbath are always lurking in their music, particularly on the Ozzy-ish homage in the intro to “Pyramid Lake.” But  for the most part on Under Siege, they have more in common with local legends Slough Feg than tourmates Witch Mountain, sharing a love of Iron Maiden style gallops and some straight-up rifftastic American power metal along the lines of Cirith Ungol and Jag Panzer. Continue reading

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