Blue-eyed soul has always been a nefarious proposition. The result is usually pop that awkwardly and stiffly incorporates soul, like Young Americans-era Bowie and Hall & Oats. Soul music without much soul. Synth poppers like Soft Cell and John Foxx, initially inspired by the cold teutonic drones of Kraftwerk, incorporated soul with better, but still … Continue reading Junior Boys – Last Exit (Domino, 2004)